Led by the late great Zani Diabaté, Super Djata Band de Bamako stands proud as one of West Africa’s fiercest orchestras, with only a handful of releases and many tremendous gigs given over the last forty years. Super Djata may be indeed one of the boldest and most exciting orchestras in the history of African modern music, if not one of Africa’s greatest and most unsung ensembles.
Born in 1947 in the Sikasso region, Zani belongs to one of Mali’s most famous griot families. As a child he learnt how to play the bolon, a string instrument with a bass sound, and the balafon, before learning how to dance. As a sixteen year old, he joined the Ballet National du Mali, an official dance ensemble. In the same vein as the Ensemble Instrumental du Mali, Ballet National du Mali served Modibo Keita’s cultural authenticity policy in the 1960s.
Thanks to their leader’s experience, the Djata Band quickly rose to fame within the Bamako region. Despite the lack of official support, Djata Band started to record their compositions under the aegis of expert engineer Boubacar Traoré at Radio Mali’s tiny recording studio. By the end of the 1970s, the band’s repertoire was already very large and diverse. Their first album was released through the Discorama record label in Abidjan. Like several other Malian artists of the early 1980s, Super Djata’s only outlet for their material lay in some Ivorian record company.
Bringing together bambara traditions, Wasulu hunter music, Kenedugu’s balafon music and bozo fishermen dances, mandingo chants and fula repertoire, mixed with a spicy, and at times even psychedelic guitar, Zani Diabaté’s Super Djata Band came to the forefront of the emerging world music scene in the early 1980’s as one of Mali’s strongest bands.
5. Bimoko Magnin
Format: 12-inch Vinyl LP
Label: Kindred Spirits
Catalog: KS RE 17N LP