{"title":"Full Book Catalogue","description":"\u003cp\u003eHere you can browse our full catalogue of books, past and present.\u003c\/p\u003e\n\u003cp\u003eSold out titles are restocked depending on availability and demand, so please feel free to sign up for restock notifications if you are looking for something in particular.\u003c\/p\u003e","products":[{"product_id":"newcommonsforeurope","title":"New Commons For Europe","description":"\u003cp\u003eOn 9 December 2016 the Architectural Association in London hosted the event “The Bedford Tapes”, which brought together architects and experts from all over Europe. New Commons for Europe captures the vitality and the doubts of a new generation of architects living at a key moment in the history of the European Union and questioning the role of the profession and the architect’s ability to produce projects and spaces for the common good with an alternative set of resources and profit structure. After the conference a series of interviews were conducted with participants in London, Berlin, Brussels, Paris, Lisbon, and Bucharest. The book chronicles both the event and the interviews, which have developed into an ongoing European conversation between architectural figures that takes a new reading of the boundaries of the discipline and its interactions with political, economic, and social factors.\u003c\/p\u003e\n\u003cp\u003eTexts: Flavien Menu, Holly Lewis – We Made That, Mathieu Delorme, Aurélien Delchet – Atelier Georges, Alex Axinte, Cristi Borca – Studio BaSAR, Anthony Engi Meacock – Assemble, Jack Self – REAL, Tiago Moita Saraiva – Ateliermob, Markus Bader – Raumlabor\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003ePaperback, 188 pp.\u003cbr\u003ePublished by Spector Books, 2018\u003cbr\u003e15 x 22 cm\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":15490925625431,"sku":"1999","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/0fb704a05ce284332704949a8845b1d5eb3b2904.jpg?v=1543254326"},{"product_id":"vivaplakatepostersformusica","title":"Plakate \/ Posters for Musica Viva","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSince its founding in 1946 by the composer Karl Amadeus Hartmann, Bayerischer Rundfunk’s musica viva has been one of the most prominent concert series on the international contemporary music scene.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHartmann wanted to create a forum for the language of today and thus also incorporated the design of posters and programmes. Günter Karl Bose has been working for musica viva for twenty years. His concert posters have had a major influence on the look and feel of the series. They reflect his intense visual exploration of contemporary music. Posters fulfill their purpose the moment they have an impact. They are advertisements. Here is a work that merits a second look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003eCloth bound hardcover, 176 pp.\u003cbr\u003ePublished by Spector Books, 2017\u003cbr\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959051415\u003cbr\u003e\u003cspan class=\"field-content\"\u003e17 x \u003c\/span\u003e\u003cspan class=\"field-content\"\u003e24 cm\u003cbr\u003e\u003c\/span\u003eGerman \/ English\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":15490988572759,"sku":"973","price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/plakate_1.jpg?v=1543344587"},{"product_id":"soundfairexhibitingmusic2007-2013","title":"Soundfair: Exhibiting Music 2007 - 2013","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eHow can one put music on exhibit in an art context? This was the question preoccupying curator Clara Meister, artist and composer Ari Benjamin Meyers, and producer Thomas Mayer when they started Soundfair in Berlin in 2008 — an international exhibition project devoted to the concept of music. Over the next five years, they invited artists and musicians from around the world to develop new works at the interface of art, music, and performance that would abandon traditional notions of concert and exhibition. The publication Soundfair: Exhibiting Music is a documentation of the artistic works that came out of this period. In it the Soundfair founders discuss individual projects and present series of works with the invited artists, who include Janet Cardiff, Olaf Nicolai, and Douglas Gordon.\u003c\/p\u003e\n\u003cp\u003eContributors: Janet Cardiff, Annika Eriksson, Bo Christian Larsson, Arto Lindsay, Olaf Nicolai, Douglas Gordon and Anri Sala.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e160 pp Hardcover\u003cbr\u003e\u003c\/span\u003ePublished by Spector Books, 2017\u003cbr\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959050906\u003cbr\u003e\u003cspan class=\"field-content\"\u003e9.8 x\u003c\/span\u003e\u003cspan class=\"views-label views-label-views-conditional-1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e13.8 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":15491080355927,"sku":"1478","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/soundfair_2_6a4180a1-9e90-4bc3-8211-6cc15bb2a491.jpg?v=1543258413"},{"product_id":"hellsgates-timcoghlan","title":"Hell's Gates - Tim Coghlan","description":"\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px;\"\u003eThe ubiquity of images and visual information that marks our contemporary experience is hardly a revelation. With little more than an errant search engine entry or a the scroll of a smartphone screen, we can unearth a glut of photographs, animated gifs or video content that would have proved impossible to access only a decade or so ago. But amidst the morass of images that drown the digital present – not to mention the cloud of desensitisation that rises in its wake – some photographs still hold the acute charge and resonance they always did. These images, no matter the context and specificities of their history, their making, their presentation and their dissemination, continue to conjure fear, offence, antipathy and otherwise. \u003cbr\u003e\u003cbr\u003eMelbourne designer and publisher \u003cb\u003eTim Coghlan \u003c\/b\u003ehas built his output around the results of both wayward and strategic Google Images searches. His latest and most extensive book to date \u003cb\u003e\u003ci\u003eHell’s Gates\u003c\/i\u003e\u003c\/b\u003e (co-published by Coghlan’s own imprint \u003cb\u003eKnowledge Editions\u003c\/b\u003e and \u003cb\u003ePerimeter Editions\u003c\/b\u003e) is a vastly expanded reprise of a small-run zine he published in the early 2010s\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px;\"\u003eComprising lo-res, amateur and public domain photographs of burning churches found online, the book poses questions of iconography, typology and the implications of images. How does mythology affect the way we read images and make meaning; why are some images deemed impossibly offensive, and others not; and just where are the limits of the democracy of images?\u003c\/p\u003e\n\u003cp style=\"margin: 0px 0px 1em; line-height: 1.4; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px;\"\u003e226 pp, Perfect bound paperback\u003cbr\u003ePerimeter Editions 029 | KNOWLEDGE EDITIONS BOOK No. 12\u003cbr\u003eEdition of 666\u003cbr\u003eISBN: 978-0-9953586-8-3\u003cbr\u003ePublished by Perimeter Editions \u0026amp; Knowledge Editions, 2018\u003cbr\u003e19.2 x 12 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Perimeter Editions \/ Knowledge Editions","offers":[{"title":"Default Title","offer_id":15491104735319,"sku":"1477","price":32.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/tumblr_p8rv7zOmBY1rg808eo1_1280_ed0ec9f8-4b58-4704-bc52-eef286686ed5.png?v=1545411617"},{"product_id":"kenkagami-bartworks2","title":"Ken Kagami - Bartworks 2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eKen Kagami’s distinctive works are characterized by their simple expression of conflicting ideas. Pure and virginal plastic and soft toys created for babies and children are boldly combined with objects, which represent sex, violence and excrement. These two worlds, which naturally never crossover, merge and transform objects into giggle-inducing, amiable, yet bizarre pieces of art which invoke a horrific, natural human instinct. This is achieved through Kagami’s sharp sense of color, form and pure ideas.\u003cbr\u003e\u003cbr\u003eKen Kagami’s work humorously confronts social taboos and has received glowing reviews not only in Japan, but also overseas. His international solo exhibitions include SNOOPee at The Journal Gallery, New York (2008) and HELLOWIEN presented by Krinzinger Projekte in Vienna (2006). 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The 164-page edition features the work of 50 artists and includes large-scale paintings of overgrown cactus gardens; filmic and otherworldly photos of water lilies; glitchy textiles of roses sourced from social media; and so much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThemes include pollination, petals, and regrowth, and the book gives special focus to several artists, including Othelo Gervacio, Megan Marrin, Margo Wolowiec, Synchrodogs, and David Axelbank. At once surreal and erotic, abstract and real, it continues a dialogue about how we perceive nature and art as a tool for interpreting and questioning our surroundings.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAvailable now in very limited numbers - be quick or be left wanting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e164 pp, Hardcover\u003cbr\u003ePublished by Zioxla, 2018\u003cbr\u003e15 x 22 cm\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Zioxla","offers":[{"title":"Default Title","offer_id":15492750278743,"sku":"1824","price":77.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/square-1024x1024_copy.jpg?v=1543857600"},{"product_id":"michaeljamesfox-plastics","title":"Michael James Fox - Plastics","description":"\u003cp\u003ePlastic is a densely loaded material and concept. One of the great scientific and industrial innovations of the late 19th and 20th centuries, plastic has become the all-pervasive staple of modern manufacturing, technology and their speculative futures. In the same breath, plastic has become laden with a flood of negative connotations; it is the talisman of environmental degradation, the detritus of an unsympathetic petrochemical industry and a signpost of global ill health. \u003cbr\u003e\u003cbr\u003eNew York photographer Michael James Fox’s debut artist book Plastics takes a very different vantage on this most complex of materials and ideas. Drawing on two distinct, though interlocked, bodies of work, the book not only recasts the humble plastic bag via the lens of the colour-drenched still life, but also via that of the veiled and abstracted urban landscape.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e44 pp, saddle-stitched softcover with dust jacket\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by Perimeter Editions and HeavyTime, 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 x 27 cm\u003cbr\u003eEdition of 300\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Perimeter Editions x HeavyTime","offers":[{"title":"Default Title","offer_id":15492764303447,"sku":"2001","price":33.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/MIKE-PLASTIC-COVER-sml_670_copy.jpg?v=1543307239"},{"product_id":"affectmesocialmediaimagesinart","title":"Affect Me: Social Media Images in Art","description":"\u003cp\u003eIn the age of Facebook, Twitter, and Co., smartphone photos and videos are shared millions of times on the Web. They are liked or generate protest, they help form communities—and promote the circulation of emotional affects. In conjunction with the exhibition\u003cbr\u003eof the same name, Affect Me: Social Media Images in Art presents nine artists who work with images originating from social media. They have a particular interest in those images that feed into social media in a political context. The artists focus on how these pictures move and mobilize people, beyond their reporting function, and how they are positioned on the permeable border between fiction and reality. In-depth essays examine the role social media images play in the generation of emotional affects and their transfer into the work of the participating artists.\u003cbr\u003eThe book is published in conjunction with the exhibition at KAI 10 | Arthena Foundation, Düsseldorf, 11 November 2017 – 10 March 2018.\u003cbr\u003e\u003cbr\u003eThe publication was produced in close cooperation with KAI 10 | Arthena Foundation, Düsseldorf, and the research project Affective Dynamics of Images in the Era of Social Media at Freie Universität Berlin.\u003c\/p\u003e\n\u003cp\u003e190pp, Thread-sewn hardcover\u003cbr\u003ePublished by Spector Books, 2017\u003cbr\u003e17 x 24.5cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":15493501419607,"sku":"1476","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/affectme_0_copy.jpg?v=1543325962"},{"product_id":"fashioningvaluesecondedition","title":"Femke de Vries - Fashioning Value – Undressing Ornament","description":"\u003cp\u003eAlongside the literal form of ornament a contemporary form has emerged, which shares the ascribed characteristics of the literal ornament, but has an even more pervasive effect. This ornament, that takes the shape  of (commercially) constructed values and relates to branding, storytelling and the experience economy, plays a key role in the understanding of fashion today. Interwoven in design practices this value-ornament  has gained a dominant position in today’s consumer society. By considering the layered character, the evolution of ornament and reflections on this from various sources and contexts ranging from Adolf Loos to Michel de Certeau, this text focuses on the impact of the contemporary value-ornament on today’s makers and users revealing potential for future alternatives.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.femkedevries.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFemke de Vries\u003c\/a\u003e works as a designer\/artist and researcher in the field of fashion where she focuses on the social, economic and design-related effects of fashion as a system aimed at value production.\u003c\/p\u003e\n\u003cp\u003e88pp, Embossed paperback\u003cbr\u003ePublished by Onomatopee, 2018 (2nd Edition)\u003cbr\u003e16 x 12cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":15496425177175,"sku":"1475","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/fashionin.jpg?v=1543420444"},{"product_id":"ambientpark-feliciaatkinson","title":"Ambient Park - Felicia Atkinson","description":"\u003cp\u003eRicocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, \u003cem\u003eAmbient Park\u003c\/em\u003e – the latest artist book from Shelter Press cofounder Félicia Atkinson – assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia. Co-published by Shelter Press and Perimeter Editions to coincide with Atkinson's Australian tour as part of the Liquid Architecture festival, Ambient Park echoes of Brian Eno's On Land or The Plateaux of Mirror (with Harold Budd) as astutely as it offers a nod to the untethered line work and colour of Clifford Still, Helen Frankenthaler, Amy Sillman or John Baldessari. Working to navigate a path across real lands, negative spaces and psychic topographies, Ambient Park manifests in the filmic trace, the words that spring to mind and the lines the body can draw.\u003c\/p\u003e\n\u003cp\u003e24 pp, saddle stitched softcover\u003cbr\u003ePublished by Perimeter Editions and Shelter Press \u003cbr\u003e29.7 x 19 cm\u003cbr\u003eEdition of 400\u003c\/p\u003e","brand":"Perimeter Editions \/ Shelter Press","offers":[{"title":"Default Title","offer_id":15496438448215,"sku":"608","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/FeliciaAtkinsonWEB_565_1_copy.jpg?v=1543421412"},{"product_id":"alightonthewall-emmaphillips","title":"A Light on the Wall - Emma Phillips","description":"\u003cdiv\u003e\n\u003cp\u003eThe machinations underpinning the photograph rest amidst a metric of aperture, reflection, light and surface. The endless photographic stream that characterises the digital space may well have entrenched itself as commonplace vernacular and communicative form, but the camera – and its various processes and outputs – remains supple, loose and endlessly receptive, if only we allow it to be. It is a magic box: a medium between our experience of the world and that of its evocative, allegorical, formal, narrative and philosophical potentials.\u003cbr\u003e\u003cbr\u003eTaking her cue from late Italian photographer Luigi Ghirri and his 1991 essay “A light on the wall”, Emma Phillips’ new body of work adopts a mode of investigation that perpetuates this notion of the camera as conjurer. At once untethered, methodical and speculative in tenor, the Melbourne photographer’s works describe a claustrophobic, disorientating and mildly ominous space; they read as vignettes or sketches, adrift between the schisms of reality and the illusory, authenticity and artifice. Slowly, quietly, they unfold and surprise and reveal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIn this collection of images, Phillips describes various planes of representation. She photographs the photographed and the painted; she complicates the landscape and the architectural. We peer through windows, through doorways, through apertures, both real and contrived; surfaces and thresholds quietly rupture, bleed and permeate. The effect is mildly unsettling. Eschewed from narrative, we are left in a state of perpetual reassessment. \u003cbr\u003e\u003cbr\u003eTrue to Ghirri’s intention, Phillips’ A light on the wall reads as an endeavour towards an expanded understanding of the fleeting nature of the image and its tenuous place in the wider milieu. 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Many people know of Turrell, many more know Drake’'s music. “\"I fuck with Turrell”\" said Drake when asked about his inspiration. In 2011 an art department opened at the BBB vocational school in Baden, Switzerland, alongside courses on car mechanics, hairdressing, catering and construction. The school’s percentage for art budget was used to bring artists into the school to produce work and to instigate a dialogue about the nature of work, be that ‘creative’ or otherwise.\u003c\/p\u003e\n\u003cp\u003eWhile ‘\u003cem\u003eI Fuck With Turrell , Ne Travaillez Jamais’\u003c\/em\u003e is a document of the first phase of the BBB art depart-ment project, it is much more a visual meditation on how art infiltrates our lives. Across 200 pages connections are drawn between art and the everyday: advertisements and the aesthetics they share; a historic photograph and an art action that recreated it; extraordinary performances beside advanced tech-nology; Sheryl Sandberg meets the painter and forger Wolfgang Beltracchi. Art is inspiration for pop culture and for consumer goods, while the systems and stuff of daily life inspire artists. Interspersed between the pictures are numerous short statements, from art-ists, teachers and students. Some are famous quotations, some relate to the specific experience of art at the BBB school. The work of this publication is to undo art’s special status and instead to show it as a part of life, like work and leisure. To overcome the accepted outsider role of art and offer truly creative thinking as a tool for everyone.\u003c\/p\u003e\n\u003cp\u003eNadja Baldini is an art historian who lives and works as a freelance curator in Zurich. She has co-founded several independent art spaces and was responsible for the establishment of the art department at the BBB Vocational School from 2011 to 2015. \u003cbr\u003eIvan Sterzinger studied psychology, media and art history at the University of Zurich. He founded the graphics studio Huber\/Sterzinger with Gregor Huber in 2006. Martin Andereggen lives and works in Zurich. He studied graphic design at the ZHdK, Zurich University of the Arts. 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Maher with Roberto Pérez de Gayo and Carly Rose Bedford, Olle Lundin, Janina Frye, Camille Auer, Barbara Bolt, Daantje Bons, Charlotte van Buylaere, Ece Canlı and Luiza Prado de O. Martins, Victoria Ledig, Alicja Melzacka, Nina Power, Barbara Smith for Nasty Women and Aynouk Tan.\u003c\/p\u003e\n\u003cp\u003eEdited and curated by Pernilla Ellens\u003cbr\u003eGraphic design by Virginie Gauthier\u003c\/p\u003e\n\u003cp\u003e192pp, Softcover\u003cbr\u003ePublished by Onomatopee, 2018\u003cbr\u003e21 x 10.5 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":15498595336279,"sku":"2011","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/sense-sensibility_06_copy.jpg?v=1543473743"},{"product_id":"patrickwaterhouse-restrictedimages","title":"Patrick Waterhouse - Restricted Images","description":"\u003cp\u003e\u003cem\u003eRestricted Images\u003c\/em\u003e is a new art book by Patrick Waterhouse, bringing together an expansive collection of artworks made at the Warlukurlangu art centre, NT Australia, with local Warlpiri artists. This is Waterhouse’s first major work since his Deutsche Borse Photography Prize winning project Ponte City. In institutions across Australia and Europe, archives encompassing thousands of colonial-era anthropological artefacts are now largely inaccessible, and images are often restricted to avoid showing pictures that infringe on Aboriginal cultural beliefs. With rules in place that mean only the descendants of people pictured can decide who is allowed to access them, much of the material remains unseen. Attitudes towards these images have changed since they were celebrated as a feat of anthropological photography by colonialists in the late 1800s, and now lingers an institutional uncertainty in how to approach the question of representation. In response, Waterhouse developed a collaborative venture in symbolically returning to the communities the agency over their own images. Spending several years taking pictures of them, he made prints and then returned, inviting the Warlpiri to paint the surfaces of the images and enact their own restrictions upon them using the traditional technique of dot painting. In intricate, colourful acrylic clusters they transformed the black and white depictions of themselves and their sacred sites. Restricted Images is the first instalment in a long-term project that looks to renegotiate the politics of who gets to decide what is seen and what is kept hidden, and reveals artists and a community trying to understand one other.\u003c\/p\u003e\n\u003cp\u003e208 pp, Hardcover\u003cbr\u003ePublished by Self Publish Be Happy, 2018\u003cbr\u003e19.7 x 26.6 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":15498613981271,"sku":"2012","price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/selfpublish.jpg?v=1543474729"},{"product_id":"posturing","title":"Posturing","description":"\u003cp\u003eNot since the early 2000s has a group of fashion photographers become a movement. Now, 21 contemporary fashion photographers have been brought together for Posturing, the book about a new movement. Featuring editorial work, it highlights how they use the body and its position to tell new stories in new ways. Through 58 photographs, as well as interviews with photographers, stylists, set designers and commissioning editors, Posturing explores the ways that the movement is changing how fashion is presented.\u003c\/p\u003e\n\u003cp\u003eEdited by Holly Hay and Shonagh Marshall, Posturing celebrates aesthetic oddness, and in the process questions the essential function and meaning of a fashion image. It is a style of photography that rejects the hyper-sexualised body and celebrity-driven, glamour-obsessed vision of fashion that in the 2000s glorified naked consumerism. One that is changing traditional ideas of clothing, casting and images, as well as recontextualising what the body means to fashion, and what fashion can mean to the body. Posturing is a record of that change and this new movement, capturing the voices and visions of those most integral to creating it.\u003c\/p\u003e\n\u003cp\u003eEdited by Holly Hay and Shonagh Marshall\u003cbr\u003e\u003cbr\u003ePhotos by Andrea Artemisio, Bibi Cornejo Borthwick, Blommers \u0026amp; Schumm, Brianna Capozzi, Casper Sejersen, Charlie Engman, Charlotte Wales, Coco Capitán, Estelle Hanania, Hanna Moon, Johnny Dufort, Joyce Ng, Lena C. Emery, Mark Peckmezian, Marton Perlaki, Pascal Gambarte, Reto Schmid, Suffo Moncloa, Tim Elkaïm, Tyrone Lebon, and Zoë Ghertner\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHoly Hay is photographic director at Wallpaper*. She was part of the founding team at Garage, and later worked as picture editor at AnOther. Known for supporting new talent, Hay commissioned shoots with most of the photographers featured in this book early in their careers.\u003cbr\u003e\u003cbr\u003eShonagh Marshall is an independent curator. She previously worked at Somerset House where she curated Isabella Blow: Fashion Galore!, Utopian Voices, Here and Now, and Hair by Sam McKnight. Her curatorial approach is centred on the role of fashion within contemporary culture and demystifying the process behind image-making.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e192pp, Offset Hardcover\u003cbr\u003ePublished by Self Publish, Be Happy Editions, 2018\u003cbr\u003e15 x 19 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":15816203468887,"sku":"1483","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/9982-92e49f128bd34f85b383126eb43987c5.jpeg?v=1543853872"},{"product_id":"fireincairo-matthewconnors","title":"Matthew Connors - Fire in Cairo","description":"\u003cp\u003eFire in Cairo emerged from Egypt as an oblique and fragmentary document of revolutionary struggle. The book charts Connors’ uneasy engagement with the political turmoil that gripped the nation during its rapidly unfolding history. \u003cbr\u003eThe complexity of the situation resisted comprehensive explanation, but invited metaphorical speculation. In his images Cairo reveals itself to be an enormous studio for social change, ripe with visual, sculptural and atmospheric residues of resistance. \u003cbr\u003eHe weaves these together with portraits of Egyptians from across the political spectrum and his own experimental fiction. The result is a book that careens between reportage, poetry and surrealism to heighten the tensions between beauty, threat and historical consequence.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMatthew Connors (b.1976) is a Professor and Photography Department Chair at the Massachusetts College of Art and Design in Boston. He received a MFA from Yale University and a BA in English Literature from the University of Chicago. His work has been exhibited internationally and can be found in the collections of the Museum of Modern Art and the Yale University Art Gallery. 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Featuring more than 200 photographs of Cadence – a teenage ballet prodigy apprenticed to the Royal New Zealand Ballet – Carr's debut book presents a serial composition in 12 parts, choreographed and performed by fingers, forearms, tendons, palms, wrists and thumbs. At once an interactive object and a performance space, Variations for Troubled Hands manifests the dynamics of movement, and invites us to dance with it.\u003c\/p\u003e\n\u003cp\u003e528 pp, perfect bound softcover\u003cbr\u003ePublished by Perimeter Editions, 2017\u003cbr\u003e21 x 14.8 cm\u003cbr\u003eEdition of 700\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":15817862185047,"sku":"405","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/VfTH_sml_1_1000_copy_copy.jpg?v=1548048437"},{"product_id":"staple-issue02","title":"Staple Issue 02: Objects of Desire","description":"\u003cp\u003eBack to serve you a major glow up, Issue 02 braves a bold front as part of a new art direction by LIBA Studio, that bleeds through the pages. Within an editorial capacity, a capacious theme was selected, allowing for inventive reconstructions as well as explorations of the mundane.\u003c\/p\u003e\n\u003cp\u003eFavouring contributions with a criticality, we seek to dissect the engagements between the living and the inanimate. In an essay titled ‘Defamiliarising the Architectural Object’, Rocky Howe explores the possibilities of interpreting everyday architectural objects, such as the fence in different, more encompassing ways, than just a divider. We also have Taking Pleasure in the Game, a piece by Food Anthropologist Jeanne Kessira, detailing how the process of eating within Ferran Adrià’s Molecular Gastronomy transcends mere consumption.\u003c\/p\u003e\n\u003cp\u003eThe ‘object' here is not restricted to the physical or the material. This is most evidently exemplified in Soft Happiness, a mixture between prose and poetry by Lara Conrad, as well as Object of Desire, a photography series by Nicole Ngai (pictured on the front over). Lara touches on the 24\/7 performativity of functioning like the right girl, the right woman; while Nicole addresses the portrayal of female bodies, within practices of the visual, as objects to be gazed upon, taking inspiration from John Berger’s Ways of Seeing. 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Working from their studio on the outskirts of Zurich, the former graphic designers make sculptures that happily twist and conflate traditional techniques to forge a kind of punk surrealism, with poetic accidents and elegantly unwieldy forms butting heads in plain view. We can trace a similar line of thought through the duo's new artist book L'aurore Samedi (The Aurora on Saturday), a publication that presents Aubry\/Broquard's expanded painting practice. Made in reaction to images found in the Smith-Lesouëf Library, Maison d’Art Bernard Anthonioz\/Fondation Nationale des Arts Graphiques et Plastiques in Paris, the book acts as a kind of propositional space, where Aubry\/Broquard allow their rough, nonetheless controlled gestures to offer playful new possibilities for these otherwise sedate images drawn from the archive. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e28pp Saddle stitched softcover\u003cbr\u003ePublished by Perimeter Editions, 2017\u003cbr\u003e29.7 x 21cm\u003cbr\u003eEdition of 400\u003c\/div\u003e\n\u003cdiv style=\"color: #555555; font-family: Arial, Helvetica, sans-serif; font-size: 12px; width: 635px; float: left;\"\u003e\n\u003cdiv class=\"slideshow_component\" rel=\"started\" id=\"slideshow_component_12648135_0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":15868547072087,"sku":"400","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/L-aurore-Samedi_670_copy.jpg?v=1544629997"},{"product_id":"coneyisland-becparsons","title":"Bec Parsons - Coney Island","description":"\u003cp\u003eThe underlying affinity between artist and model is one of the fundamental constructs informing our reading of fashion photography and its wider diaspora of sensibilities and genres. Technical or conceptual nous are simply not enough on their own. Rather, it is the unspoken, the intuitive and the collaborative dynamic between photographer and subject – the creative bond, however fleeting – that breathes life into the image. Leading Sydney-based photographer Bec Parsons has made an international career off the back of her unique ability to connect. \u003cbr\u003e\u003cbr\u003ePhotographed in the early Spring of 2012 in New York City, the images that populate her debut book Coney Island not only capture a young Julia Nobis amidst the idiosyncratic surrounds of the beachside Brooklyn neighbourhood from which the book takes its title, but burrow somewhere deeper into model photographer’s mutual disposition and spirit. Among these concise, intimate and playful portraits, images of lush blossoms circulate. The allegory is clear. At this most pivotal moment for Nobis – then on the cusp of international fashion stardom – we don’t simply observe her transition from an aloof distance. Instead, Parsons ensures we wander with her.\u003c\/p\u003e\n\u003cp\u003eBec Parsons’ editorial work has been featured in major fashion publications including Harpers’ Bazaar, Vogue Australia, RUSSH, Manuscript, Dazed \u0026amp; Confused and Oyster; and also in LoveWant, the magazine she founded with her husband and fellow photographer Bartolomeo Celestino in 2005. Her timeless, minimal aesthetic is highly regarded, and has seen her at the forefront of the resurgence of analogue photography in fashion.\u003cbr\u003e\u003cbr\u003eJulia Nobis entered the international scene in 2010 – where she walked exclusively for Calvin Klein at New York Fashion Week – and has since worked for every major fashion house, starring in campaigns for the likes of Prada, Celine, Saint Laurent, Dior and Dries van Noten, and regularly walking for up to 70 labels each fashion week. 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Salvans splices together blackand-white photographs of ordinary citizens enjoying the Mediterranean coast, with citations from the political rhetoric of former King of Spain, Juan Carlos I (1975–2015). Drenched in authority and affect, his speech conveys a King playing the role of a good-natured sovereign, the tender ruler of a democratic monarchy.\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eIn Salvans’ subversive combination of image and text, the language acts like a socio-political filter, through which the gestures and emotions of the beach-goers are seen – the hopes, the indolence, and the aggression of people parading their own small sovereignties: the freedom to nap, eat, sunbathe, play, love and suffer, and display their human uniqueness. Power, as something embodied and enacted, permeates the king’s speech and the interactions of ordinary Spaniards, on the beaches and residential development of ‘real’ Spain.\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003eAccompanying My Kingdom is a booklet containing extracts of fervent speeches by political figures including Thatcher, Mussolini, Churchill and Chaplin the Dictator, all proclaiming the authoritarian power of the state over people.\u003cbr\u003e\u003cbr\u003e76 pp OTA bound paperback with silkscreen printed cover and flaps. \u003cbr\u003ePublished by MACK, London 2018\u003cbr\u003e35 x 23.5 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":15868628795479,"sku":"2033","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/mykingdom.jpg?v=1544633257"},{"product_id":"victorburginthecameraessenceandapparatus","title":"Victor Burgin – The Camera: Essence and Apparatus","description":"\u003cp\u003eVictor Burgin is one of the most influential artists and writers working today. He came to prominence as a key figure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space.\u003c\/p\u003e\n\u003cp\u003eIn the last decade or so, Burgin has worked with computer-generated imagery and the virtual camera. But rather than accepting a radical divide between so-called ‘analogue’ and ‘digital’ realms, Burgin has emphasised the continuity of the virtual camera, the various physical cameras in use today, and the painted images of Quattrocento painting – all of which have their essence in the perspectival system of representation. Further to this, Burgin argues that no image is merely an optical experience – all images are essentially psychological events and thus virtual also. Inseparable from language, they form the psychical spaces of fantasy and projection, recognition and misrecognition. Whether on pages, walls or screens, in galleries or online, single views, or swarms of picture fragments, images are the making and unmaking of our sense of self, and the world around us.\u003c\/p\u003e\n\u003cp\u003eThis collection brings together for the first time Victor Burgin’s writings related specifically to the camera, following the shifts and nuances in his thinking over nearly five decades. 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Expanding on his previous Éditions works, Flora Forms, Pakioufakis draws his focus on black and white abstract flora, often evoking beauty and dread within a singular form.\u003c\/p\u003e\n\u003cp\u003eTraianos Pakioufakis’ photographic works occupy extreme territories, especially evident within his many music collaborations; the avant-garde\/noise at one end (Alvin Lucier, PAN label, Max Richter, Keiji Haino) to those with a broader, popular reach (Yoko Ono, Universal Music, Harvey Sutherland). He balances either end of the spectrum with the same rigorous qualities to which his work has become known.\u003c\/p\u003e\n\u003cp\u003eThe release sees a very limited book release (a First Edition of 200 including 25 Special Edition blue covers) with text written by Patrick Quick. 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Boagey produces hyper-realistic drawings of confrontational images from across the media, from pornography to tragedies. \u003c\/p\u003e\n\u003cp\u003eEach of his drawings contains its own deep-seated historic and religious narrative, while aiming to confront the sociopolitical controversies of today. Taking cue from classical sculpture especially, Boagey’s pencil drawings are contemporary reworkings, challenging conceptions of what we consider good and evil. From a school shooting to homosexuals being hanged in Iran, Boagey questions how we view, absorb, and react to these incidents. It is especially significant in the current age, as technology evolves we are forever bombarded with news and imagery. How we process this content is a matter for the individual, and it is this processing of information which Boagey challenges in the viewer.\u003c\/p\u003e","brand":"Ditto","offers":[{"title":"Default Title","offer_id":15886311293015,"sku":"1677","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/recital.jpg?v=1544980831"},{"product_id":"extra-curricular","title":"Extra-curricular","description":"\u003cp\u003eExtra-curricular is a reader of texts on and around the topic of self-organized learning, curriculum, experiments, and alternatives in graphic design education. Occurring both within and separate from existing institutions, these other forms of learning and organization question how such learning takes place, for whom, and the ideologies inherent in existing models, among many other things. An (admittedly) incomplete inventory inspired by the widespread activity and educational turn (or shift) in the field, this book aims to serve as a point of departure for further discussion and experimentation.\u003c\/p\u003e\n\u003cp\u003eWith contributions from: \u003ca href=\"http:\/\/adamcruickshank.com\/\"\u003eAdam Cruickshank\u003c\/a\u003e, \u003ca href=\"http:\/\/cairolexicon.com\/\"\u003eChris Lee\u003c\/a\u003e, \u003ca href=\"http:\/\/www.decolonisingdesign.com\/\"\u003eDecolonising Design\u003c\/a\u003e, \u003ca href=\"http:\/\/oficinadedisseny.net\/\"\u003eDiego Bustamante\u003c\/a\u003e, \u003ca href=\"http:\/\/oficinadedisseny.net\/\"\u003eKatharina Hetzeneder\u003c\/a\u003e, \u0026amp; \u003ca href=\"http:\/\/oficinadedisseny.net\/\"\u003eAriadna Serrahima\u003c\/a\u003e (\u003ca href=\"http:\/\/cali.parallel-school.org\/\"\u003eParallel School Cali\u003c\/a\u003e), Elisabeth Klement \u0026amp; Laura Pappa (\u003ca href=\"http:\/\/www.signalsfromtheperiphery.ee\/\"\u003eSignals from the Periphery\u003c\/a\u003e), \u003ca href=\"http:\/\/esthermcmanus.co.uk\/\"\u003eEsther McManus\u003c\/a\u003e, \u003ca href=\"http:\/\/evening-class.org\/\"\u003eEvening Class\u003c\/a\u003e, \u003ca href=\"http:\/\/modesofcriticism.org\/\"\u003eFrancisco Laranjo\u003c\/a\u003e, \u003ca href=\"http:\/\/jackhenriefisher.com\/\"\u003eJack Henrie Fisher\u003c\/a\u003e, \u003ca href=\"http:\/\/jameslangdon.net\/\"\u003eJames Langdon\u003c\/a\u003e, Joe Potts (\u003ca href=\"http:\/\/southland.institute\/\"\u003eSouthland Institute\u003c\/a\u003e), Kristina Ketola Bore \u0026amp; João Doria (\u003ca href=\"http:\/\/the.ventriloqui.st\/\"\u003eThe Ventriloquist Summerschool\u003c\/a\u003e), Leigh Mignogna \u0026amp; Frances Pharr (\u003ca href=\"https:\/\/www.awomensschool.us\/\"\u003eRecreating a Women’s School\u003c\/a\u003e), \u003ca href=\"http:\/\/www.lifeofthemind.net\/\"\u003eMark Owens\u003c\/a\u003e,  \u003ca href=\"http:\/\/www.operative.space\/\"\u003eRobert Preusse\u003c\/a\u003e, \u003ca href=\"http:\/\/www.till-wittwer.net\/\"\u003eTill Wittwer\u003c\/a\u003e, \u0026amp; \u003ca href=\"http:\/\/www.operative.space\/\"\u003eStefanie Rau\u003c\/a\u003e (\u003ca href=\"http:\/\/parallel-school.org\/\"\u003eParallel School Berlin\/Brno\u003c\/a\u003e), Sean Yendrys (\u003ca href=\"http:\/\/www.a-school-a-park.ca\/\"\u003eA School, A Park\u003c\/a\u003e), \u003ca href=\"http:\/\/silviolorusso.com\/\"\u003eSilvio Lorusso\u003c\/a\u003e, \u003ca href=\"http:\/\/www.sophiedemay.com\/\"\u003eSopie Demay\u003c\/a\u003e \u0026amp; Clara Degay, Stuart Bertolotti-Bailey and David Reinfurt (\u003ca href=\"http:\/\/www.servinglibrary.org\/\"\u003eThe Serving Library\u003c\/a\u003e), and Will Street (The Transparent School).\u003c\/p\u003e\n\u003cp\u003e328 pp softcover\u003cbr\u003ePublished by Onomatopee, 2018\u003cbr\u003e22.2 x 15.2 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":15890941673559,"sku":"2039","price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/ONMTP-Extra-Curricular_E6A9079_copy.jpg?v=1545060040"},{"product_id":"ericschrijver-copythisbookanartistsguidetocopyright","title":"Eric Schrijver - Copy This Book: An Artist's Guide To Copyright","description":"\u003cdiv class=\"publication__shop\" style=\"box-sizing: border-box; width: calc(-22.5px + 25%); margin-right: 30px; font-family: letter-gothic, Arial; font-size: 14px;\"\u003e\n\u003cdiv style=\"box-sizing: border-box; -webkit-box-flex: 1; flex: 1 1 0%; margin-right: 20px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThis book is an artist’s guide to copyright, written for makers.  Both practical and critical, this book will guide you through the concepts underlying copyright and how they apply in your practice.\u003c\/p\u003e\n\u003cp\u003eHow do you get copyright? For what work? And for how long? How does copyright move across mediums, and how can you go about integrating the work of others? Because they get copyright too!\u003c\/p\u003e\n\u003cp\u003eCopy this Book will detail the concepts of authorship and original creation that underlie our legal system. This way, it will equip you with the conceptual keys to participate in the debate on intellectual property today.\u003c\/p\u003e\n\u003cp\u003eThis sharp and useful book shines a light on the rights of all artists to protect—and share—their work. Eric Schrijver has produced an essential guide for navigating the new Commons and the old laws of copyright control.\u003cbr\u003e— Ellen Lupton, curator and critic\u003c\/p\u003e\n\u003cp\u003e192pp paperback\u003cbr\u003ePublished by Onomatopee, 2018\u003cbr\u003e14 x 19.5 cm\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":15890954322007,"sku":"2040","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/coy_this_book.jpg?v=1545060740"},{"product_id":"michaelschmelling-yourblues","title":"Michael Schmelling - \tYour Blues","description":"\u003cp\u003eIn 2013, the Museum of Contemporary Photography commissioned American photographer Michael Schmelling to make a new series of photographs about music in his hometown of Chicago. 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In Chicago “there’s no dominant cultural tradition,” writes musician Tim Kinsella in an essay included in the book. “The dominant form is hybridity.” Teeming with enthralled bodies and ecstatic faces, Your Blues is an energetic and intimate document of a time and place, featuring over 200 meticulously sequenced photographs, puzzled together through subtle rhythms and recurring visual riffs, infusing Schmelling’s own personal photo-cryptology into the evolving musical history of the city.\u003cbr\u003e\u003cbr\u003e168 pp, Otabind Softcover Silkscreen printed\u003cbr\u003ePublished by The Ice Plant and Skinnerboox, 2018\u003cbr\u003e20.3 x 27.7cm\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/p\u003e","brand":"The Ice Plant \/ Skinnerboox","offers":[{"title":"Default Title","offer_id":15891011797079,"sku":"2042","price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/yourblues.jpg?v=1545063080"},{"product_id":"benlerneralexanderkluge-thesnowsofvenice","title":"Ben Lerner \u0026 Alexander Kluge - The Snows of Venice","description":"\u003cp\u003eAmerican author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge responded to this celestial critique with a story about the technically controlled power of a squadron of bombers bossing the skies over Aleppo, which Lerner answered with a sonnet. Step by step this gave rise to poems, stories, and conversations in which the heavens show their bewitching and threatening qualities. This literary dialogue is published in The Snows of Venice. 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A pocket-sized paperback counting over 570 pages, the book should not be seen as monolithic monograph, but as a very loose, personal archive. \u003cbr\u003e\u003cbr\u003eAt the heart of the book are three textual contributions by Linda van Deursen, Mark Owens and Ian Svenonius. Linda van Deursen's essay consists of a series of short observations, contemplating three historical photographs, while reflecting on the friction between modernism and the everyday. Meanwhile, Mark Owens explores the format of the three-piece rock band, mapping the formal and conceptual dimensions of the 'power trio', with a particular focus on post-punk aesthetics. Added to that, Ian Svenonius delivers a piece of pop-art fiction, starting with a 13-point program to destroy language, before derailing into a psychedelic interlude, ending with some notes on the appropriation of 'cool'. \u003cbr\u003e\u003cbr\u003eThe book also contains two photographic chapters, both featuring a selection of work by Experimental Jetset. The first section (titled 'Ex Situ') shows a succession of printed matter as captured in actual size (scale 1:1) on the studio's flatbed scanner, while the second section ('In Situ') documents site-specific pieces as installed in different environments around the world.\u003cbr\u003e\u003cbr\u003eThe paperback concludes with a index\/glossary-like anthology of texts previously written by Experimental Jetset, as selected, edited and introduced by Jon Sueda. 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With a title drawn from Baudelaire’s writings on dandyism, the book is designed by Blalock to create new formal and thematic associations through the collaging of already densely layered photographs.\u003c\/p\u003e\n\u003cp\u003eLinking together his earliest studio portraits with recent work utilizing overt digital alterations, Blalock builds on his recent approach of embedding additional photographs into the back of a single frame. The artist’s manipulations of images through erasures, cloning, and drawing emphasize what is absent or obliterated in his compositions, often with a poignancy and emotion that is lacking in most digital imagery. The book’s layout further complicates these photographs, with spreads that obscure the ability to determine where an image ends or begins.\u003c\/p\u003e\n\u003cp\u003eLucas Blalock lives and works in New York. His photographs have been exhibited internationally, including recent solo shows at Galerie Eva Presenhuber (Zurich) and Espace Images (Vevey). Blalock has been included in group exhibitions at institutions such as C\/O Berlin (Berlin); Walker Art Center (Minneapolis); Bergen Kunsthall (Bergen); Museum of Modern Art (New York); Hammer Museum (Los Angeles); Metropolitan Museum of Art (New York); and Contemporary Arts Museum Houston (Houston). In 2019, Blalock will be the subject of a solo show at Los Angeles’ Institute of Contemporary Art.\u003c\/p\u003e\n\u003cp\u003e156 pp, Paperback\u003cbr\u003ePublished by Primary Information, September 2018\u003cbr\u003e18.4 x 24.8 cm\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":15903833718871,"sku":"2059","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/grocer.png?v=1545410948"},{"product_id":"brokenmusic","title":"Broken Music","description":"\u003cp\u003eBroken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. Broken Music focuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.\u003c\/p\u003e\n\u003cp\u003eIt also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s “Broken Music.” The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.\u003c\/p\u003e\n\u003cp\u003eWorks chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples\/editions\/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.\u003c\/p\u003e\n\u003cp\u003eArtists documented in the volume include Vito Acconci, albrecht\/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.\u003c\/p\u003e\n\u003cp\u003eUrsula Block is a curator living in Berlin, Germany. From 1981 until 2014, she ran gelbe Musik, a gallery and record shop in Berlin that featured work by artists at the crossroads between music and art.\u003c\/p\u003e\n\u003cp\u003eMichael Glasmeier is a professor, writer, and editor living in Berlin, Germany. Since the early 1980s, he has curated dozens of shows that explore the intersection between the visual arts, music, film, and language.\u003c\/p\u003e\n\u003cp\u003e280 pp, Paperback with Flexi disc\u003cbr\u003ePublished by Primary Information\u003cbr\u003e20.95 x 26 cm\u003cbr\u003eEdition of 2000\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":15903839715415,"sku":"2060","price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/borkenmusic.jpg?v=1545410979"},{"product_id":"theyshoottypodontthey","title":"They Shoot Typo, Don't They?","description":"\u003cdiv class=\"std\" style=\"margin: 0px; padding: 0px; font-family: Muli, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 17.55px;\"\u003eBetween 2002 and 2012, a number of graphic design students realised posters as a result of the series of films shown at the Sint-Lucas art school in Ghent. Taking on the challenge of breaking through the stereotypical trends found in film poster design, the students were given free reign to explore and experiment, reinterpret and transform, and subvert the marketing logic common to the film industry. This book chronologically presents and reproduces these posters, as most of the graphic artists involved have since graduated and matured into successful professional careers. The posters, therefore, are “a visual reflection on their search for graphic identity”\u003cbr\u003e \u003c\/div\u003e\n\u003cp style=\"margin: 0px; padding: 0px; font-family: Muli, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 17.55px;\"\u003e272 pp, Paperback\u003cbr\u003ePublished by \u003cspan style=\"line-height: 17.55px;\"\u003eSint-lucas Visual Arts Ghent\u003c\/span\u003e\u003cspan style=\"line-height: 17.55px;\"\u003e\u003cbr\u003e21 x 30 cm\u003cbr\u003eDutch\/English\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sint-lucas Visual Arts Ghent","offers":[{"title":"Default Title","offer_id":19437414744151,"sku":"11130","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/shoot.jpg?v=1548010979"},{"product_id":"hayleymorris-birdsofparadise","title":"Hayley Morris - Birds Of Paradise","description":"\u003cp\u003eNew collages from Hayley Morris via Perth-based imprint Boogie Down Press.\u003cbr\u003e\u003cbr\u003e24 pp, 1 Colour RISO throughout, Cyclus Offset 100% Recycled 100gsm stock, saddle stitched.\u003cbr\u003ePublished by Boogie Down Press, June 2017\u003cbr\u003e19 cm x 27.5 cm\u003cbr\u003eEdition of 50.\u003c\/p\u003e","brand":"Boogie Down Press","offers":[{"title":"Default Title","offer_id":19478183837783,"sku":"2112","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/bdp-store-6sxhy7majzeqd4c_copy.jpg?v=1546364555"},{"product_id":"mostwasted-anthonyiacomella","title":"Most Wasted  - Anthony Iacomella","description":"\u003cp\u003eA new collection of drawings and painted works from the inimitable mind of Anthony 'Big Tony' Iacomella.\u003cbr\u003eLovingly published in full colour glory by local outfit Boogie Down Press. \u003cbr\u003e\u003cbr\u003e30pp, Paperback\u003cbr\u003ePublished by Boogie Down Press, 2018\u003cbr\u003e16.5 cm x 23.5 cm\u003cbr\u003eFirst Edition\u003c\/p\u003e","brand":"Boogie Down Press","offers":[{"title":"Default Title","offer_id":19478199140439,"sku":"1296","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/bdp-store-htmrg7fc2ie6yn4.png?v=1546364630"},{"product_id":"traianospakioufakis-grasstree","title":"Traianos Pakioufakis - Grass Tree","description":"\u003cp\u003eHaunting black and white studies of Australian flora from photographer \u003ca href=\"http:\/\/traianos.net\/\" title=\"Traianos Pakioufakis\"\u003eTraianos Pakioufakis.\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e16pp, offset staple-bound\u003cbr\u003ePublished by Horizon Pages, 2014\u003cbr\u003e14.5 x 21 cm\u003c\/p\u003e","brand":"Horizon Pages","offers":[{"title":"Default Title","offer_id":19570558304343,"sku":"10152","price":10.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/gt.jpg?v=1548081819"},{"product_id":"traianospakioufakis-ghostgum","title":"Traianos Pakioufakis - Ghost Gum","description":"\u003cp\u003eHaunting black and white studies of Australian flora from photographer \u003ca href=\"http:\/\/traianos.net\/\" title=\"Traianos Pakioufakis\"\u003eTraianos Pakioufakis.\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e16pp, offset staple-bound\u003cbr\u003ePublished by Horizon Pages, 2014\u003cbr\u003e14.5 x 21 cm\u003c\/p\u003e","brand":"Horizon Pages","offers":[{"title":"Default Title","offer_id":19570583142487,"sku":"10153","price":10.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/ggcover.jpg?v=1548082838"},{"product_id":"keno-easywriter","title":"Keno - Easy Writer","description":"\u003cp\u003eFrom Paris with love comes Keno's\u003cem\u003e Easy writer.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e32 pp, Black \u0026amp; White Photocopy zine\u003cbr\u003ePublished by Innen Books, 2017\u003cbr\u003e13 x 19 cm\u003cbr\u003eHand numbered edition of 120\u003c\/p\u003e","brand":"Innen","offers":[{"title":"Default Title","offer_id":19570629312599,"sku":"1668","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/kenocover.jpg?v=1548085436"},{"product_id":"jerryhsu-followthewhiterabbitneo","title":"Jerry Hsu - Follow The White Rabbit Neo","description":"\u003cp\u003eJerry Hsu (Los Angeles, USA)\u003cbr\u003eFollow the White Rabbit Neo.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of Printed Matter’s New York Art Book Fair at MoMA PS1 September 22 - 24, 2017\u003c\/p\u003e\n\u003cp\u003e24pp, Full colour offset\u003cbr\u003ePublished by Innen Books, 2017\u003cbr\u003e13 x 19 cm\u003cbr\u003eEdition of 500 copies\u003c\/p\u003e","brand":"Innen","offers":[{"title":"Default Title","offer_id":19570651168855,"sku":"1061","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/hsu.jpg?v=1548086424"},{"product_id":"bauhausno8-movement","title":"Bauhaus No. 8 - Movement","description":"\u003cp\u003eBauhaus 8 is given over to the Bauhaus Dessau Foundation’s annual theme for 2016: Movement. Its focus is on new departures in society, change and speed, migration and mobility as well as art and dynamism, architecture and performance, flights of fancy and locomotor systems. In bauhaus 8 we encounter Kandinsky on a bicycle, Moholy-Nagy’s Vision in Motion, Paul Klee overcoming gravity, Gropius’s writing desk in exile, and Karla Grosch’s programme of physical education at the Bauhaus as well as numerous other protagonists. The annual publication combines historical views with the contemporary positions of designers, artists, acrobats, choreographers, curators, and photographers. In the process it moves from the Bauhaus Building in Dessau to the Van Nelle Factory in Rotterdam, to the festival stage at the Festspielhaus Hellerau, to Lawn Road Flats in London, and other venues. A collection of essays, interviews, portraits, collages, illustrations, and artistic contributions.\u003cbr\u003e\u003cbr\u003e160pp, softcover\u003cbr\u003ePublished by Spector Books, 2016\u003cbr\u003e21 x 29.7 cm\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\" style=\"font-family: Helvetica, Arial, sans-serif; font-size: 18.144px;\"\u003e\u003cspan class=\"views-label views-label-views-conditional\" style=\"font-family: SuisseMono, Courier, monospace; font-size: 1.2em; line-height: 1.3em; word-spacing: -0.25em; letter-spacing: -0.02em;\"\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":19570677612631,"sku":"2115","price":28.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/bauhaus_magazin_5_movement_00_1.jpg?v=1548087188"},{"product_id":"texte1-benibischof","title":"Texte 1 - Beni Bischof","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.editionpatrickfrey.com\/en\/person\/beni-bischof\"\u003eBeni Bischof\u003c\/a\u003e works in an unruly and intuitive manner. In addition to his drawings, collages, paintings, sculptures, and installations, his self-published, laser copied art magazine has since 2005 borne witness to his eruptive creative urges. He translates spontaneous ideas concerning social and political issues into quirky, humorous word and image-based messages of a disarming directness.The banality of everyday life is not spared any more than current political dramas. Beni Bischof de-glamorizes the noble appearance of purported exclusivity and draws a picture of society characterized by his unfathomable sense of humor. He draws his image and text materials from trivial literature, fashion magazines, advertising, and even the virtual world. \u003ca href=\"https:\/\/www.editionpatrickfrey.com\/en\/books\/psychobuch-beni-bischof\"\u003ePsychobuch\u003c\/a\u003e (2014), his first publication with Edition Patrick Frey, is both an overview of this intensive production as well as a full-fledged artist’s book in its own right. Texte offers an initial view into his current work in progress: pure text in a paperback format. It consists of Beni Bischof’s personal portrayal of his collection of emails, headlines, slogans, and jokes. Texteis being published on the occasion of the artist’s solo show at the St. Gallen Art Museum (February 13–June 21, 2015). \u003c\/p\u003e\n\u003cp\u003e320pp, Paperback\u003cbr\u003ePublished by Edition Patrick Frey, 2015\u003cbr\u003e10.8 x 17.7 cm\u003cbr\u003eGerman + English\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":19575548674135,"sku":"12372","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/texte1cover.jpg?v=1548165812"},{"product_id":"texte2-benibischof","title":"Texte 2 - Beni Bischof","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\np.p1 {margin: 0.0px 0.0px 15.0px 0.0px; line-height: 21.0px; font: 15.0px 'Helvetica Neue'; color: #000000; -webkit-text-stroke: #000000}\nspan.s1 {font-kerning: none}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eWild, boisterous and humorous – Beni Bischof’s mises-en-scène of his unbridled creative urges deftly combine all kinds of media, everything from wall-sized paintings to filigree drawings and grotesque collages, from surreal objects to outlandish mixed-media sculptures. His trenchant artwork reflects both the banality of everyday life and controversial political issues. Bischof virtuosically leads the viewer out onto thin ice to expose the inner workings of the mass media and the illusions of glamour they manufacture.\u003c\/p\u003e\n\u003cp\u003ePsychobuch (2014), his first book to be published by Edition Patrick Frey, was at once an overall view of his copious oeuvre and a self-contained artist’s book unto itself. Texte 1 (2015) came out for the presentation of the 2015 Manor Art Prize and an associated solo show at the Kunstmuseum St. Gallen.  Texte 2 is the follow-up, another pocket-size volume presenting a mix bag from Bischof’s exuberant collection of headlines, slogans, jokes, junk mail, lyrics, dialogues from movie scenes, aphorisms and a whole lot more – a present-day selection and yet a subjective quintessence of the textual archive he has amassed over the years. (Nadia Veronese)\u003c\/p\u003e\n\u003cp\u003e480pp, Paperback\u003cbr\u003e Published by Edition Patrick Frey, 2016\u003cbr\u003e 10.8 x 17.7 cm\u003cbr\u003e German + English\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":19575623581783,"sku":"12373","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/texte2cov.jpg?v=1548166794"},{"product_id":"dafyhagai-spring","title":"Dafy Hagai - Spring","description":"\u003cp\u003eDafy Hagai's Spring sees the young Israeli photographer offer a new layer of complexity and fluidity to the visual languages and queer motifs she established in her first two publications for Perimeter Editions. Where the faux-idyllic landscapes, beach scenes and unusual architectures of 2015's Sunset shone with a playful, sexually curious take on the the female gaze, 2016's Golden Showers pulsed with a kind of charged, innuendo-heavy sexuality, veering toward the realm of the smut-flecked outtake. Spring catches the London-based Hagai at another point of transition. Shot amid the marginal urban spaces that punctuate Tel Aviv, Jaffa, Arad and Furadis – and punctuated with images from the more lush surrounds of Sakhne and the Dead Sea – the series lends a vantage on a gender dynamic that is as equally hard to define as its socio-geographical context. Here, Hagai juxtaposes members of Israel's drag community against public passersby, and gender-ambiguous models against candid, more traditional visions of masculinity. We're left in a kind of flux – a position that feels refreshingly authentic to our contemporary dynamic. \u003c\/p\u003e\n\u003cp\u003eBased in London, Tel Aviv photographer Dafy Hagai has completed commissions for publications and clients including Candy, Twin, Office, Teen Vogue, Dazed, Vogue US, Honore, Flair Italy, Talk, Gap, Adidas StellaSport, Levi's, Eytys and Asos. Her books include Golden Showers (Perimeter Editions, 2016), Sunset(Perimeter Editions, 2015) and Israeli Girls (Art Paper Editions, 2014).\u003c\/p\u003e\n\u003cp\u003e28pp, saddle stitched self-cover, screen-printed vinyl dust-jacket\u003cbr\u003ePublished by Perimeter Editions, 2018\u003cbr\u003e21 x 29.7 cm\u003cbr\u003eEdition of 300\u003cspan style=\"color: #555555; font-family: Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":19575724539991,"sku":"2120","price":32.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/springcover.jpg?v=1548169839"},{"product_id":"familyphotos-elizahutchison","title":"Eliza Hutchison - Family Photos","description":"\u003cp\u003ePhotography has long been uncomfortable with its very nature as a recording device. The same tangible connection to the subject that affords the photographic medium and process its singular charge – its requisite proximity and contact with its referent, and the direct inscription of light on celluloid or sensor – also presents its great anxiety. In a career stretching back to the 1990s, Melbourne artist Eliza Hutchison has worked to slice, shred, fold, mirror and sculpt photographic images, materials and surfaces to both activate and complicate the photograph’s chain of command. The images that echo throughout her long-awaited debut book Family Photos – many of which came out of a residency at the Cité des Arts in Paris – both embrace and shatter their collective title. Prised from the swamp of Hutchison and her family’s wider history, present and semiconscious, they ricochet between intense intimacy and collective significance, applying photography’s indexical potential to the most ephemeral and malleable of moments. Here, she makes visible the turbulence of the psychological and the uncertainty and fallibility of memory. \u003c\/p\u003e\n\u003cp\u003e128 pp, section sewn softcover with flaps\u003cbr\u003ePublished by Perimeter Editions, 2017\u003cbr\u003e19.5 x 28 cm\u003cbr\u003eEdition of 700\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":19575823040599,"sku":"404","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/EH-Cover_v2_sml_670_copy.jpg?v=1548175907"},{"product_id":"nasa-graphicsstandardmanual","title":"NASA - Graphics Standard Manual","description":"\u003cp\u003eThe binder containing NASA's visual identity guidelines is a strange object. This original visual communications system designed and augmented by Richard Danne and Bruce Blackburn from 1975 on, was rescinded in 1992. It has resurfaced on the internet these last years in blogs, and was made available to the public by NASA as a PDF document before being reprinted in an expanded deluxe edition by Jesse Reed and Hamish Smyth in 2015. It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery—and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.\u003c\/p\u003e\n\u003cp\u003eBeyond a simple fascination for NASA, the manual is of interest for several reasons:\u003cbr\u003e— It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery\u003cbr\u003e— and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.\u003cbr\u003e— The clarity of its texts which guided the personnel responsible for producing new documents contrasts sharply with the mainstream vocabulary in the communications field today.\u003cbr\u003e— As an object, it is worthy of the interest it has created. It demonstrates the ambition and care taken in its presentation. Its format facilitates manipulation to ensure the organization, comprehension and implementation of the instructions and propositions it contains.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"NASA - Graphics Standard Manual\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/files\/NASA_SCAN_grande.gif?v=1550069485\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e164 pp, paperback with a 5 spot colour swatch\u003cbr\u003ePublished 2016 by Éditions Empire\u003cbr\u003e31 cm x 23.2 cm\u003cbr\u003eFrench \/ English\u003c\/p\u003e","brand":"Éditions Empire","offers":[{"title":"Default Title","offer_id":19661584662615,"sku":"2175","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/nasa_swatch.png?v=1550069682"},{"product_id":"theartofcivilactionpoliticalspaceandculturaldissent","title":"The Art of Civil Action: Political Space and Cultural Dissent","description":"\u003cp\u003eCivil society around the world increasingly deals with global questions and starts to assume transnational forms of organization. The arts can play a key role in addressing public and political problems, with their ability to project alternative realities and communicate ideas. Looking at different artistic platforms, activist groups and new forms of citizen initiatives, this book asks how cultural and art initiatives can question and strengthen the civil domain; how their approaches put the ‘art’ of civil action into practice? Which strategies and forms of organization can such initiatives use in order to sustain their activities and increase their local influence and global significance? Social scientists, cultural theorists, activists and artists explore how arts and culture can offer the building blocks for a locally rooted civil society in a globally connected context.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContributors: Andrew Barnett, Llorenç Bonet, llya Budraitskis, Giuliana Ciancio, Philipp Dietachmair, Milena Dragićević Šešić, Pascal Gielen, Max Haiven, Stefan Kaegi, Ivan Krastev, Thijs Lijster, Tomislav Medak, Borka Pavićević, Yudhishthir Raj Isar, Igor Stokfiszewski, Hakan Topal\u003c\/p\u003e\n\u003cp\u003e352pp, paperback\u003cbr\u003ePublished 2017 by Valiz\u003cbr\u003e21 x 13.5 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":19661678280791,"sku":"2177","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/civiclaction.jpg?v=1550071297"},{"product_id":"thejokebookcollectedbysethsiegelaub","title":"The Joke Book: Collected by Seth Siegelaub","description":"\u003cp\u003e'The Joke Book' is the first printed edition of the complete jokes \u0026amp; messages file that was found on Seth Siegelaub’s computer by his partner Marja Bloem. It contains jokes, quotes, and pieces of advice, that he collected since 1999 and regularly redistributed via email amongst his friends. With contributions by Alex Alberto, John Baldessari, Marja Bloem, Myrna Bloom, Martin Browne, Alan Kennedy, David Kunzle, Joel Miller, Loren Miller, Kay Robertson, Laurent Sauerwein, Seth Siegelaub, Joan Simon, Kira Simon-Kennedy, Peter Sinclair, Steven Wright, and an introduction by Huan Hsu (written after a long conversation with Marja Bloem).\u003c\/p\u003e\n\u003cp\u003e216 pp, paperback \u003cbr\u003ePublished 2017 by Kunstverein Publishing\u003cbr\u003e20 x 13 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Kunstverein Publishing","offers":[{"title":"Default Title","offer_id":19661716488279,"sku":"2176","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/thejokebook.jpg?v=1550072194"},{"product_id":"harleyweir-homessecondedition","title":"Harley Weir - Homes (Second Edition)","description":"\u003cp\u003eHomes by Harley Weir shows photographs made between 17 and 28 October 2016 in the migrant and refugee camps of Calais. Taken immediately before and during the clearing of this provisional settlement, Weir’s images bear witness to the humanity and ingenuity of those living there - constructing the domestic and familiar against a backdrop of displacement.\u003c\/p\u003e\n\u003cp\u003eThe photographs show us the homes and private spaces of the camp. In the face of oppression and indifference from those most poised to provide assistance, Homes shows a stubborn commitment to the small, personal spaces of humanity within the Calais camp.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHomes was initially published in November 2016 to raise awareness and funds during the brutal dismantling of the Calais camps and relocation of refugees. The initial run of 500 copies sold within five days, raising €10,000 for La Cimade. In 2018, the situation still persists in Calais but under greater conditions of precariousness and violence. Without organised infrastructure, migrants and aid workers are intimidated and harassed by French police, while access to running water, basic sanitation and healthcare are scarce.\u003c\/p\u003e\n\u003cp\u003eWith the need to raise visibility of the continued migrant situation in Calais, our re-print of Homes will donate a percentage of proceeds to charities still active in protecting and defending the human rights in the area. This second edition also contains three new unseen images, and is published to coincide with a large-scale exhibition of the work at \u003ca href=\"https:\/\/photoworks.org.uk\/harley-weir-homes\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBrighton Photo Biennial\u003c\/a\u003e, 28 September–28 October 2018.\u003c\/p\u003e\n\u003cp\u003e64 pp, Stapled book with silkscreen and foil-embossed cover\u003cbr\u003eSecond edition published by Loose Joints, 2018\u003cbr\u003e22.4 x 28.5 cm\u003cbr\u003e42 colour plates\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":19754411196503,"sku":"2041","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/homes.jpg?v=1551794800"},{"product_id":"sarahwalker-secondsight","title":"Sarah Walker - Second Sight","description":"\u003cp\u003e\u003cem\u003eSecond Sight \u003c\/em\u003eby Sarah Walker is the winner of the inaugural 2018 Perimeter Small Book Prize. \u003cbr\u003e\u003cbr\u003eTaking its bearings from the adage that seeing is believing, the debut book from young Melbourne photographer Sarah Walker, Second Sight, assumes a cynical vantage on our collective relationship with spirituality, faith, ritual and the search for meaning. Utilising the trickery of photography, Walker reframes and appropriates fragments of the everyday to imbue them with the loaded atmosphere of the ephemeral and the arcane. The resulting body of work proves as speculative and enigmatic as it is arresting and dynamic – a space where the image of refracted light, moving water or birds in flight becomes a foil for arcing bodily gestures, clasped hands, arrangements of rocks and abstracted, deconstructed portraiture. Here, we find ourselves enmeshed in the artifice of this fraught search for meaning, where each and every instance becomes a potential sign.\u003c\/p\u003e\n\u003cp\u003e“Photography itself is ritualistic and performative, and at times requires repetitive action to achieve its intended results,” writes the artist. “It has a creator.” As such, Walker posits her photographic practice to operate in a kind of unlikely parallel to that of spiritual practices. “Similar to those who project meaning onto refracted light, this body of work re-contextualises and uses the connection between images to depict a new grasp on reality. My own spiritual space.”\u003cbr\u003e\u003cbr\u003eSarah Walker (b. 1991) is a photographer based in Melbourne, Australia. Her work includes the use of found imagery, video and sculptural works. She is interested in using photography to deconstruct reality and examine ideas relating to the human condition. Walker’s work has featured in various publications including Der Greif Guest-Roomcurated by Jörg Colberg, Phases Magazine, The Heavy Collective, The Latent Image, Terra Firmaand the book A Place Both Wonderful and Strange(Fuego Books, Murcia). She has exhibited in Australia and abroad. \u003cspan style=\"color: #555555; font-family: Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e104 pp, section sewn, glue bound softcover\u003cbr\u003ePublished by Perimeter Editions, 2018\u003cbr\u003e20.5 x 28.5cm \u003cbr\u003eEdition of 500\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":19762486804567,"sku":"2013","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/secondsight.jpg?v=1551967654"},{"product_id":"richardprince-collectedwritings","title":"Richard Prince - Collected Writings","description":"\u003cp\u003eRichard Prince: Collected Writings is the first collection of selected short works by American artist Richard Prince (*1949). Prince is mainly known for his photographs of iconic pictures from advertising and pop culture, such as the erotic Nurses paintings, the Marlboro cowboys, or his Jokes, text images of chauvinist jokes through which he holds a mirror up to the viewer. Written between 1974 and 2009, these thirty-five pieces of prose explore everything from Franz Kline to Woodstock, and include revealing musings on the revolutionary approach to photography central to Prince's technique. \u003cbr\u003e\u003cbr\u003eA literary text by Jonathan Lethem, author of the currently much-talked-about novel Chronic City, rounds off this very special volume edited by Kristine McKenna.\u003c\/p\u003e\n\u003cp\u003e208 pp, cloth bound hardcover\u003cbr\u003ePublished by Hatje Cantz, 2011\u003cbr\u003e16 x 24 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":19783346749527,"sku":"10522","price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/prince.jpg?v=1552406937"},{"product_id":"footnotesbackgroundssheds-hughstrangemaxcreasyelizabethhatz","title":"Footnotes, backgrounds, sheds - Hugh Strange, Max Creasy \u0026 Elizabeth Hatz","description":"\u003cp\u003eIt is the seemingly peripheral details and gestures that come to anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the working Shatwell Farm in Somerset, UK, find their bearings in the backgrounds, the contextual minutiae and the footnotes. Taking the form of a three-way conversation between the Archive’s architect, Hugh Strange, Norwegian-Australian photographer Max Creasy, and Swedish academic, architect and writer Elizabeth Hatz, this book not only offers a subtly poetic and expansive vantage on the Archive, the collection it houses and its place in the surrounding farm, but also forwards a wider précis on the built form; one in which architecture is layered, living and lived.\u003cbr\u003e\u003cbr\u003eLondon-based office Hugh Strange Architectshas developed a reputation for producing buildings that marry an attention to material and structure with precise, contextually considered responses to sensitive urban and rural sites. Strange's Architectural Archive was nominated for the 2015 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, and won RIBA National and Regional Awards the same year.\u003cbr\u003e\u003cbr\u003eMax Creasy is a Norwegian-Australian photographer living and working between London and Berlin. His photographic practice explores systems of meaning through architecture, the archive and still life. His work has been widely exhibited at commercial and institutional galleries including the Centre for Contemporary Photography (Melbourne), West Space (Melbourne) and the Australian Pavilion at the Venice Architecture Biennale. He regularly collaborates with other artists, curators and architects including James Taylor-Foster, OK-RM and the REAL Foundation, and his editorial work is published widely. \u003cbr\u003e\u003cbr\u003eElizabeth Hatz is a practicing architect, professor and art curator, sharing her time between practice, research and teaching positions at the University of Limerick and KTH Stockholm. Her built work includes Kodak Headquarters, Gothenburg; Stockholm Globe Arena; and buildings for AKSO-Nobel, Stockholm. Hatz curated ev+a 2010, Ireland’s pre-eminent art event. As head of SAR (Swedish Architects Association), she co-founded Fargfabriken, a renowned site for art and architecture in Stockholm. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e72 pp, saddle stitch with dust jacket\u003cbr\u003ePublished 2018 by Perimeter Editions\u003cbr\u003e29 x 24 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":19800668143703,"sku":"2198","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/FBS_WEB_670_copy.jpg?v=1552754512"}],"url":"https:\/\/www.highgatecontinental.com\/collections\/full-book-catalogue\/performance.oembed","provider":"Highgate Continental","version":"1.0","type":"link"}