{"title":"Design \/ Typography.","description":"","products":[{"product_id":"theyshoottypodontthey","title":"They Shoot Typo, Don't They?","description":"\u003cdiv class=\"std\" style=\"margin: 0px; padding: 0px; font-family: Muli, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 17.55px;\"\u003eBetween 2002 and 2012, a number of graphic design students realised posters as a result of the series of films shown at the Sint-Lucas art school in Ghent. Taking on the challenge of breaking through the stereotypical trends found in film poster design, the students were given free reign to explore and experiment, reinterpret and transform, and subvert the marketing logic common to the film industry. This book chronologically presents and reproduces these posters, as most of the graphic artists involved have since graduated and matured into successful professional careers. The posters, therefore, are “a visual reflection on their search for graphic identity”\u003cbr\u003e \u003c\/div\u003e\n\u003cp style=\"margin: 0px; padding: 0px; font-family: Muli, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 17.55px;\"\u003e272 pp, Paperback\u003cbr\u003ePublished by \u003cspan style=\"line-height: 17.55px;\"\u003eSint-lucas Visual Arts Ghent\u003c\/span\u003e\u003cspan style=\"line-height: 17.55px;\"\u003e\u003cbr\u003e21 x 30 cm\u003cbr\u003eDutch\/English\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sint-lucas Visual Arts Ghent","offers":[{"title":"Default Title","offer_id":19437414744151,"sku":"11130","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/shoot.jpg?v=1548010979"},{"product_id":"questions-looking-for-answers-in-the-middle-of-somewhere","title":"Questions? Looking for answers in the middle of somewhere","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"panel-pane pane-entity-field pane-node-title-field\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"field field-name-title-field field-type-text field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-pane pane-entity-field pane-node-field-subtitle\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"field field-name-field-subtitle field-type-text-long field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-separator\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"panel-pane pane-entity-field pane-node-body\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"field field-name-body field-type-text-with-summary field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even\" property=\"content:encoded\"\u003e\n\u003cp\u003eQ: What did you do exactly? A: First, in May 2015, and then again in November 2017, we invited a selection of graphic designers to Otl Acher's \"Institut für analoge Studien\" in Rotis, near Neukirch im Allgäu. Over two days these designers were interviewed in a myriad of ways by graphic design students from the Karlsruhe University of Arts and Design, whose assignment it was to learn to ask, and design, questions. \u003c\/p\u003e\n\u003cp\u003eQ: Who did you invite? A: Marietta Eugster and Manuel Krebs (Norm) from Switzerland, Wayne Daly and Veronica Ditting from the UK, Elisabeth Klement \u0026amp; Laura Pappa and Vinca Kruk (Metahaven) from the Netherlands, Monika Maus from Germany, Boy Vereeken from Belgium, Vier 5 from France and Honza Zamojski from Poland.\u003c\/p\u003e\n\u003cp\u003eQ: How did it go? A: Weeeeelllll...\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e496 pp, thread-sewn softcover\u003cbr\u003eFirst Edition Published by Spector Books, 2019\u003cbr\u003e12 x 19 cm\u003cbr\u003e\u003cspan class=\"views-label views-label-views-conditional\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"views-label views-label-views-conditional-1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"views-label views-label-field-languages\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":31961224020055,"sku":"","price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/questions.jpg?v=1589381594"},{"product_id":"the-natural-enemies-of-books-a-messy-history-of-women-in-printing-and-typography","title":"The Natural Enemies of Books: A Messy History of Women in Printing and Typography","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe Natural Enemies of Books\u003c\/em\u003e is a response to the groundbreaking 1937 publication \u003cem\u003eBookmaking on the Distaff Side\u003c\/em\u003e, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.\u003c\/p\u003e\n\u003cp\u003eEdited by feminist graphic design collective\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/mms-arkiv.se\/english.html\"\u003eMMS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Maryam Fanni, Matilda Flodmark and Sara Kaaman),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNatural Enemies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincludes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Natural Enemies of Books\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis funded by the Swedish Arts Grants Committee and through an artist-in-residence period at Grafikens Hus, in collaboration with the Södertälje Konstnärskrets.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"m0 line-height-2 h3\"\u003e192 pp, softcover\u003cbr\u003ePublished by Occasional Papers, 2020\u003cbr\u003e11 x 19 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":32037186699351,"sku":"","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/cover_88808d53-9585-4f44-9460-80ddc5c4fc8d.jpg?v=1590251011"},{"product_id":"how-many-female-type-designers-do-you-know","title":"How Many Female Type Designers Do You Know?","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book aims to shine light on work of women in type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first part of the book offers research on the gender issue in type design field. It includes statistics, data and an overview of some works that address this issue. Further it contains some biographies of female type designers that worked in the 19th and in the beginning of 20th century. These women contributed to the industry, yet they are rarely mentioned in educational material.\u003cbr data-mce-fragment=\"1\"\u003eThe second part is a series of the interviews with 14 women that are either currently working as type designers or are in any other way involved in the field of type design. These interviews intend to uncover the topic of unequal share of female and male speakers at type conference as well as the lack of women in the industry. The last part of the book is a showcase of typefaces designed by women. The purpose of this part is to show the great amount and broad variety of such typefaces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInterviews with Designers: Gayaneh Bagdasaryan, Veronika Burian, Maria Doreuli, Louise Fili, Martina Flor, Loraine Furter, Jenna Gesse, Golnar Kat Rahmani, Indra Kupferschmid, Briar Levit, Zuzana Licko, Ana Regidor, Fiona Ross and Carol Wahler.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e320pp Hardcover\u003cbr\u003ePublished by Onomatopee, 2020\u003cbr\u003e11 x 20 cm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":32405571207255,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/cover_3e560779-9915-46c7-b361-fcfc7d41b84a.jpg?v=1604417624"},{"product_id":"food-is-fiction-stories-on-food-and-design","title":"Food is Fiction: Stories on Food and Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn a daily basis, tens of thousands of food products fight for our attention In supermarkets. It’s a miracle that we seem to effortlessly choose what we want from the overwhelming supply. Designers play a crucial role in this. They ‘package’ food and change it into products that appeal, inform and seduce us. The designer is the indispensable mediator between the producer and us, the consumer. As artisans of alienation, designers make up stories, create illusions and dream images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFood Is Fiction places these stories in the context of the rise of the food industry and contemplating the future of food. From early advertising for classic brands such as Van Houten and Van Nelle, to food pornography, astronaut food and gastrophysics.\u003cbr\u003e\u003cbr\u003eOn the basis of historical and contemporary visual material, this book also shows how the designer’s language conforms to the spirit of the times, uses stereotypes and prejudices, or anticipates social changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e272 pp, paperback\u003cbr\u003ePublished by nai010 in conjunction with Design Museum Den Bosch\u003cbr\u003e17 x 21.5 cm\u003cbr\u003eEnglish \/ Dutch\u003c\/p\u003e","brand":"nai010","offers":[{"title":"Default Title","offer_id":39341461602391,"sku":"","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/foodisfictioncover.jpg?v=1625250364"},{"product_id":"a-new-program-for-graphic-design-david-reinfurt","title":"A *New* Program for Graphic Design – David Reinfurt","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“At a moment of tremendous technological and cultural change, David Reinfurt makes the case that graphic design is not merely a craft, but a fundamental way to understand and engage with the world. Discursive, expansive, and inspiring, this book redefines its subject and provides an indispensable guide to how it might be practiced.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—Michael Bierut (Partner, Pentagram New York)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“David Reinfurt's new book provides … in depth access to a historical analysis, exquisite close-focus portraits of multi-talented creative makers past and present, alongside his own research and examples of his class assignments. This intelligent book contains new insights regarding graphic design history, thought, and practice. This book is a reminder of Walt Whitman’s call for \"a force infusion of intellect\" to confront the future.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—Sheila Levrant de Bretteville (Director, Yale University Graduate Program in Graphic Design)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA *New* Program for Graphic Design\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first Communication Design text book expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA *New* Program for Graphic Design\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e builds upon mid- to late-20th-century pedagogical models to convey advanced principles in an understandable form for students of all levels.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Reinfurt, a graphic designer, writer, and educator, has developed a design curriculum at Princeton University in which three courses provide a broad and comprehensive introduction to the field for students coming from a range of other disciplines. These courses—Typography, Gestalt, and Interface—are the foundation of this book.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually understanding and shaping the increasingly networked world of information and design.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Reinfurt\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (born 1971), a graphic designer, writer and educator, reestablished the Typography Studio at Princeton University and introduced the study of graphic design. Previously, he held positions at Columbia University Graduate School of Architecture, Planning and Preservation, Rhode Island School of Design and Yale University School of Art. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and the Serving Library (2012), Reinfurt has been involved in several studios that have reimagined graphic design, publishing and archiving in the 21st century. He was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. His work is included in the collections of the Walker Art Center, Whitney Museum of American Art, Cooper Hewitt National Design Museum and the Museum of Modern Art. He is the co-author of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMuriel Cooper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (MIT Press, 2017), a book about the pioneering designer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e256 pp, paperback\u003cbr\u003ePublished by Inventory Press, 2019 \u003cbr\u003e15 x 23 cm\u003cbr\u003eEnglish\u003c\/span\u003e\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":39513536495703,"sku":"","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/NewProgramCover.jpg?v=1639153378"},{"product_id":"miguel-mila-a-life-in-design","title":"Miguel Milá: A Life in Design","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMiguel Milá is considered one of Spain’s first and most influential industrial designers. Starting out as an interior designer amid the country’s early modernist movement, Milá began making the objects he needed but couldn’t yet find on the market. He took raw and renewable materials and crafted prototypes by hand, occasionally evolving designs to perfect his now-iconic lighting and furniture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMiguel Milá: A Life in Design\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a detailed look back through his most emblematic works, produced between 1956 and 2021, with archival photos and drawings, as well as original photos shot at Milá’s Barcelona home by Nacho Alegre. Introducing the book is seminal English designer Jasper Morrison, while the products are catalogued and described by design academic Francisco Gaspar Quevedo, who also contributed a biographical text on Miguel’s life, career, and the principles that sprang from both.\u003c\/p\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e160pp, softcover\u003cbr\u003ePublished by Apartamento, 2022\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e295 x 240 mm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eFirst edition\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Apartamento","offers":[{"title":"Default Title","offer_id":40112527310935,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/miguel-mila-apartamento-cover2.jpg?v=1675702477"},{"product_id":"harry-thalers-pressed-chair","title":"Harry Thaler's Pressed Chair","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA chair is a chair is a chair is a staircase is a book...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHarry Thaler is notoriously a man of very few words so if you want to know about him, this book is a good starting point. This small publication celebrates ten years of the pressed chair, from its conception at design school to its industrial production, fragile sustainability, the encounters of friends and allies in a non linear`–never linear`– history.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e82pp, softcover\u003cbr\u003ePublished by Dent-De-Leone, 2020\u003cbr\u003e116 x 166 mm\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Dent-De-Leone","offers":[{"title":"Default Title","offer_id":40114134974551,"sku":"","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1295\/2055\/products\/PressedChair.jpg?v=1675950312"},{"product_id":"the-arnold-circus-stool-martino-gamper","title":"The Arnold Circus Stool — Martino Gamper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe story of a stool, from its origin as a necessary furniture to repopulate a disused park in East London to becoming an ubiquitous sight in international art centres and people's homes in New Zealand or Korea. 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